![]() Two songs in F Minor that have roughly the same BPMs: 130 and 131. Anything below 3% will be closer to your original key (F Minor) and anything above 3% will be closer to your 6% key (Gb minor or E minor, depending whether you increase or decrease the tempo). It works in this way because 3% the middle point. If you change the tempo by 3% or more, use the 6% key. There is a basic rule for smaller increments: If you change the tempo by less than 3%, keep your original key. The piano roll above shows you that 11A is indeed equivalent to Gbm.ĭecreasing the tempo by 6% has the reverse effect: It moves your song one key to the left, or the equivalent to subtracting 7 from your current Camelot number. ![]() Since F Minor has an equivalent keycode of 4A, adding 7 will give you the result of 11A. ![]() This is equivalent to adding 7 to your current Camelot number. If your original song was recorded in F Minor, increasing the tempo by 6% will move the song one key to the right to give you G-Flat Minor. Even the smallest tempo change will alter the key, but a 6% difference will change the key to a whole new one.Ħ% is thus the magic number: it will move your song to the adjacent key on the piano, as illustrated below: However, it is important to understand that changing the tempo of the song will change the key as well. ![]() The standard approach is to detect root notes at the song’s original tempo and find other compatible songs that will fit. Harmonic mixing is based on the idea of mixing harmonically-compatible songs. ![]()
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